This post is part of a virtual book tour organized by Goddess Fish Promotions. The author will award a $20 Amazon/BN GC to a randomly drawn winner. Click on the tour banner to see the other stops on the tour.
It’s the perfect score—stealing valuable data from a VIP in cryo-freeze midway through a decades-long interstellar crossing. If it works, Kara will have enough money to buy what she’s always wanted—a Captaincy.
But with the rest of the crew and the cargo of one hundred thousand colonists still frozen, Kara and her accomplice, Zed, realize they’re not the only ones awake. The murdered woman they find is only the first victim of whoever or whatever has woken from Cold Sleep.
Read an Excerpt
Blood streaks the VIP casket’s pristine white ceramic shell. Crimson handprints mark the controls and edges of the casket’s lid. Bright red spray mars the shining surface of the nearest casket and trickles down across its viewport. The deckplate’s smeared here and there, but the marks aren’t clear enough to make out any footprints.
“No one else in here,” Zed says.
While I’ve been gawping at the corpse, he’s secured the room.
There’s more to him than being a reliable bit of rough. It’s become too easy to dismiss him—the man is capable enough.
“I don’t understand. How could one of the passengers get out of storage?” I ask.
“Look at the casket,” Zed says. “Why’s it still registering an occupant?”
Being careful not to step in any blood, I get closer to her. What strikes me is the way the arcs of blood paint the VIP bay looks like something out of an anti-Ares Cult propaganda piece. The sacrifice of innocent beauty to sate the spirit of Mars. Kind of thing we’d only caught rumors of my first time shipping out. Then the newsfeeds had become more and more clogged with hysteria with every return to Earth. That and the usual.
War. War threatening everywhere.
Makes me think of my brother and hope he isn’t—wait, decades have passed—wasn’t on the frontline.
I drag my mind back from the futureshock and my eyes from the corpse. Getting lost in the past is a sure-fire way to get killed in the here and now.
About the Author:A Brit now living in the Scandinavian wilds of Denmark with his wife and half-Viking kids, Luke worked as a Criminal Barrister in and around London for over a decade dealing with everything from minor theft cases to a real life axe murder and everything in between. Thanks to parents in the military he grew up being dragged around the world--while living in the Far East he picked up a love for the martial arts which continues to this day, as he passes on what he’s learned to a select dojo of students. Cold Sleep is his third novel. His first was Amazon cyberpunk bestseller Mercury’s Son, his second a UK set supernatural suspense novel 3:33 AM.
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Hi MJ and thanks for hosting my novel!
ReplyDeleteIf anyone has any questions about "Cold Sleep" or my previous novels (critically praised psychological horror "3:33 AM", and bestselling cyberpunk murder mystery "Mercury's Son"), please ask away. I write, I don't bite... at least now I've been sufficiently caffeinated for the day!
I love the cover, synopsis and excerpt, Cold Sleep is a must read for me. Is this story strictly a stand-alone or is there potential for a sequel or series?
ReplyDeleteHi Bea, great question and with a complex answer. The setting for Cold Sleep is the same as my short story "Out of the Blue, Into the Black" (published on the Starship Sofa Podcast here: http://www.starshipsofa.com/blog/2018/08/22/starshipsofa-no-551-luke-hindmarsh/) It reveals what happens to the first round of colonists Kara briefly references.
DeleteCold Sleep could also be considered a loose prequel to my first novel Mercury's Son. But they share no characters and are separated by over 100 years objective time. I have written more in the Cold Sleep era of that shared universe--there's one novel awaiting a second draft, and another about 1/2 way through a first draft. However, much like one of my favourite SF series, Revelation Space by Alastair Reynolds, the setting is what recurs through those books rather than the characters. When complete, each of the books should be readable as a standalone, but could also be seen as part of an overarching narrative.