To Kingdom Come by Claudia Riess

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Welcome to It's Raining Books. Which chapter was your favorite to write and why?

Although the prologue introduces the event (the 1897 “punitive expedition” of the Kingdom of Benin), which touches on the background of the present-day story and gives the past immediacy, the substance of the prologue might have been introduced as exposition in the chapters that follow. Chapter One, though, kicks off the present-day story and must be told in real time. I don’t know if it was my favorite chapter to write (each chapter has its unique satisfactions—like the challenge of writing from the POV of the antagonist!), but it had a special kind of exhilaration, like the shot fired at the start of a race. The important characters are introduced: amateur sleuths Erika and Harrison, about to embark on another mystery-solving venture, along with a host of individuals who’ll play a role in the events to come—among others: Ikemar Umar, history professor from the University of Nigeria, Pierre Jolet, Associate Director of the French Institutes organization, Olivia Chatham, math professor at the University of London, who has unearthed a journal of historical importance. It opens on a Zoom meeting, during which a murder is witnessed in horror by its helpless attendees. I have a sort of outline of what follows, but I know it will change as characters are fleshed out and lead me in down unexpected paths, and so I’m both anticipating and wondering what’s about to happen.

Amateur sleuths, Erika Shawn-Wheatley, art magazine editor, and Harrison Wheatley, art history professor, attend a Zoom meeting of individuals from around the globe whose common goal is to expedite the return of African art looted during the colonial era. Olivia Chatham, a math instructor at London University, has just begun speaking about her recent find, a journal penned by her great-granduncle, Andrew Barrett, active member of the Royal Army Medical Service during England’s 1897 “punitive expedition” launched against the Kingdom of Benin.

Olivia is about to disclose what she hopes the sleuthing duo will bring to light, when the proceedings are disrupted by an unusual movement in one of the squares on the grid. Frozen disbelief erupts into a frenzy of calls for help as the group, including the victim, watch in horror the enactment of a murder videotaped in real time.

It will not be the only murder or act of brutality Erika and Harrison encounter in their two-pronged effort to hunt down the source of violence and unearth a cache of African treasures alluded to in Barrett’s journal.

Much of the action takes place in London, scene of the crimes and quest for redemption

Read an Excerpt

He wondered now why had it taken such an effort to decide which of his plans to set in motion. Walking off with an artifact or two from Franks House, the British Museum’s storage facility in East London, may have given him his political statement, but at what cost? The place was crawling with workers in lab coats and masks—conservators, project managers, photographers, interns, auditors, volunteers—the lot of them engaged in the end goal of moving 200,000 objects from the museum’s collection of Africa, Oceania, and the Americans to its nearly spanking new World Conservation and Exhibition Centre. True, it would not have been an insurmountable task, entering the quiet road where the quaint redbrick warehouse lay and unobtrusively blending into the workforce, but then what? Would he have been forced to shoot his way out of the place at the risk of being gunned down himself? How sordid and at the same time mundane to mow down an uncalculated number of individuals, only to find himself a mere casualty sprawled among them. Hell no, he was neither a loony terrorist nor a crack- head martyr. The plan in place was the more sensible course, no question about it.

It was restful, hearing below his thoughts the rhythmic phrase of train wheels clacking against the tracks in lulling repetition. His calmness surprised him a little, given what lay ahead. His scenario had been well choreographed, but only on an imagined stage with players moving about under his ironclad direction. In real life, even the most meticulous plan is apt to be disrupted by unforeseen circumstances. He knew that it was exactly 1.6 miles from Effingham Junction Station to the mansion on Ockham Lane in Cobham, Surrey, but was he certain that he would not be accosted by a madman or struck by lightning on his walk to the place?

If he allowed his thoughts to ramble on in this manner, his nerves would start acting up. He must lean into the physical moment and move with it into his destiny. He looked out the window past his reflection and focused on the indifferent stars.

About the Author: Claudia Riess is an award-winning author of seven novels, four of which form her art history mystery series published by Level Best Books. She has worked in the editorial departments of The New Yorker and Holt, Rinehart and Winston, and has edited several art history monographs. Stolen Light, the first book in her series, was chosen by Vassar’s Latin American history professor for distribution to the college’s people-to-people trips to Cuba. To Kingdom Come, the fourth and most recent, will be added to the syllabus of a survey course on West and Central African Art at a prominent Midwest university. Claudia has written a number of articles for Mystery Readers Journal, Women’s National Book Association, and Mystery Scene magazine. At present, she’s consulting with her protagonists about a questionable plot twist in Chapter 9 of the duo’s murder investigation unfolding in book 5; working title: Dreaming of Monet, scheduled for release winter 2024. For more about Riess and her work, visit http://www.claudiariessbooks.com.

All four books in the art history mystery series are available through Amazon.com, BarnesandNoble.com, IndieBound.org and at independent book stores. For bulk discount purchases, contact https://levelbestbooks.wordpress.com.

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